My 2017-01-01 Commitment – Location Support Returns

I decided as part of my annual end-of-year Indieweb commitment, to complete an update to the location services on my site. I originally announced location support on this site in April of 2015(See Link). I’ve been working on a rewrite on and off for nearly a year now, and wanted to finally release it.

This post, for example, is set as if it was made at the Empire State Building.

Coming in the future is venue support. A venue is sort of the location equivalent of a bookmark. There are other names for it. It would allow more information about the location, and you would be able to view all posts associated with that location. This leads to what has become common on social media sites…the check-in. I used to store more information about the location in the post, and won’t be doing this anymore.

More to come on location and more, but I’m glad I got a version of this out. Thanks to Chris Aldrich for testing this out.

 

 

Winter Doo Wop Explosion

On Sunday, I went to Queens College to attend the Winter Doo Wop Explosion.

  • The Jarmels
  • Kid Kyle
  • Barbara Harris and The Toys
  • Vito Picone and The Elegants
  • Jay Siegel’s Tokens
  • Cancelled: Lenny Dell and The Demensions

I’ve been a fan of 50s music since I became fond of the classic movie, Back to the Future, as a child, and came to listen to a lot of music from that era.

The Jarmels

The audience was also from that era. The majority of people there were of an older bent. The Jarmels were only 33% original, and 66% replacement. But I am always struck by the performances by doo wop groups, and what they do with their hands and feet while performing…something you can’t hear in the recording. The Jarmels only had one hit, A Little Bit of Soap.

Kid Kyle was one of the youngest people there, except me. Of course, he got paid. He’s just under 22 and has been singing doo-wop since he was 8. It is nice to see that these songs will not die with their originators and original fans.

The Toys were formed in 1961 in Jamaica, Queens. Barbara Harris, the lead singer of the Toys, is still actively touring with two younger musicians. While it was my least favorite act, mostly because I found the pitch painful because I was too close to the right speaker( 5 rows from the front), Harris was impressive in the energy she is still able to convey. She had several Senior Citizens dancing in the aisles.

 

The Elegants also only had a single hit…Little Star, which Vito Picone recorded when he was 17. Now 75, he and the remaining Elegants performed not only that song, but a doo-wop cover of Ray Charles’ Georgia(Picone oddly put on dark sunglasses for that), as well as several other songs.

Kid Kyle and Co

Finally, the Tokens appeared. Out of these groups, I had seen the Tokens perform before. Their version of The Lion Sleeps Tonight, with Jay Siegel still able to hit the high notes he hit in 1961 is still impressive, and despite other recordings predating it, is generally the best known version of the song.

The group started in Brooklyn, and Neil Sedaka was one of its early members. The Tokens also produced other musical acts, such as the Chiffons, Randy and the Rainbows, the Happenings, etc.

For anyone interested in their next concert, the same production group is bringing Vito Picone back, along with the Happenings, the Marcels, The Tymes, and The Excellents on Saturday, March 25th, 2017 at 7:30PM, also at the Colden Auditorium at Queens College. Call 718-423-8394 for more information.

The event was also the first I brought my new 360 degree camera to. It is interesting to take a video where you can see not only the audience, the performers…but me reacting to them. That’s a bit too much me in the shot. I like a bit more subtlety.

But there is some part of me that wishes random people still formed doo-wop groups. Part of me would enjoy the experience of singing with one at least once.

 

CBS’s Elementary Gets Kosher Wrong

So, I decided to watch Elementary. Which made me a bit annoyed. Please forgive me if I spoiled it. If you care about watching it yourself, stop reading now.

The episode that aired last night, entitled, How the Sausage is Made…has Sherlock Holmes coming up with a conspiracy where there is a enough profit in the FDA classifying artificially grown meat as a ‘meat substitute’ instead of as meat to allow Jews to eat cheeseburgers and Muslims to eat pork that someone would kill to ensure it.

During the course of the episode, Holmes tries to explain kosher law, among other things….that food is broken out into meat and dairy, and a third category that is neither…one he calls Parevah. I usually say Pareve, but even par-veh is correct. I’ve never heard anyone call it pareva, to be honest and I asked around this evening. There isn’t one person who could look up the common pronunciation. One would assume the character might be wrong, but in the scene he had just met with some rabbis discussing the issue, so he should have just heard it. On the other hand, if you google pareve, and click the pronounciation, it pronounces it paravah also, I embedded Google’s pronunciation below. Either someone tell me they’ve heard it pronounced as three syllables or someone at Google please correct it.

 

Perhaps in a universe where the Convocation of Orthodox Rabbis(I’m assuming as a stand-in for the OU, the Orthodox Union) exists, the issues are different. I confess to not be as familiar with the Halal certification bodies in the U.S. but I am fairly familiar with the kosher ones.

So in the end, Holmes and Watson lead the murderers to believe that the bodies that certify kosher and halal food will, because of the suspicious murder, never certify the artificial meat as ‘pareva'(sorry, it just annoys me) and that the whole murder would therefore be pointless as the product would be relegated to the vegan aisle. And if someone confeeses to the murder, the rabbis and the imams will change their mind because ‘murder is not kosher.’ I would hope that the two characters are lying through their teeth, but I would hope that two individuals who are counting on a big payday from kosher and halal sales would know better the issue if they are going to kill for it.

The truth of the matter is that the issue of whether meat grown in a lab would be considered not to be meat, and thus not subject to the prohibitions of keeping meat and dairy separate is not an issue so clear cut for many reasons, so it would not be something that they would hold over the heads of would-be murderers like a business transaction. If you just search for kosher artificially grown meat, the first few entries lay out how much debate would be necessary to settle the issue. And in my personal opinion, it is much more likely to be classified as meat.

That said, the suggestion that all Jews are sitting around, clamoring for the opportunity to find a loophole to eat cheeseburgers and other food which is not kosher(the same for Muslims) suggests an extreme level of cynicism.

I have to say, while television is often lacking in realism, and often poorly written, this seems to be a case of a writer trying to come up with a clever story, but failing to do five seconds of research to put the issue into a realistic perspective. And, while poor characterizations of Jews on television has always annoyed me, sloppy storytelling annoys me even more.

In thinking about the current election, I was reminded of the words of Julia Sand. Sand was an educated woman who, while bedridden in her family home in New York City, wrote Chester A. Arthur beginning in August of 1881, a month after President Garfield was shot. Arthur took the oath of office on September 20th, after staying in seclusion while Garfield lay critically ill and bedridden. Arthur was a controversial figure, as he’d been involved in several scandals in New York and was thought to be a political lackey of several powerful New York interests.

For reasons unknown as all she knew of him was from the newspapers, Sands believed in Arthur and wrote to him with advice and encouragement many times over the next few years. Some of the letters survive, including the first.

Your kindest opponents say ‘Arthur will try to do right’ – adding gloomily – ‘he won’t succeed though making a man President cannot change him.’…But making a man President can change him! Great emergencies awaken generous traits which have lain dormant half a life. If there is a spark of true nobility in you, now is the occasion to let it shine. Faith in your better nature forces me to write to you – but not to beg you to resign. Do what is more difficult & brave. Reform! It is not proof of highest goodness never to have done wrong, but it is proof of it, sometimes in ones career, to pause & ponder, to recognize the evil, to turn resolutely against it.

She goes on later to write:

“How sad it must be for anyone to look back and feel that the best strength of their manhood has all been wasted on unworthy ends. For your own sake and for the sake of those who love you, do not fill your life with actions which afterwards bring you only regret. Go back to Washington – forget New York, political strife and personal animosity. Remember that you are President of the United States – work only for the good of the country. And bear in mind, that, in a free country, the only bulwark of power worth trusting, is the affection of the people.”

Arthur surprised people. Having been a direct beneficiary of the political spoils system, he nevertheless participated in dismantling it and pushing for civil service reform. Admittedly, there aren’t that many parallels between Donald J Trump and Chester A. Arthur, but the often forgotten legacy of Chester A. Arthur is that a man can be changed by the realities of the Presidency.

Went over to the Bethel Woods museum as part of a drive to see some of the Fall Foliage.

Through December 31st, they have a Special Exhibit on the photos of LIFE Magazine photographer Grey Villet that is worth seeing.  Apparently there is also a book of his photos that might be published. Villet photographed Batista and Castro, Martin Luther King, and more.

Their general exhibit on the history of Woodstock was also worth seeing. Woodstock began as a financial enterprise…..a music festival that had so many attendees show up that the organizers quickly realized they couldn’t possibly take tickets and made the concert free. Tickets cost $18 in advance and 186,000 tickets were sold, but more than double that amount actually showed up. It must have been an amazing sight.

Replied to New Picture Book 'Shmelf the Hanukkah Elf' Takes the Wrong Approach to Educating Kids About the Holidays (Tablet Magazine)

Joining the ranks of The Mensch on the Bench and Maccabee on the Mantel—Hanukkah books with attendant plush toys—is Shmelf the Hanukkah Elf. This new picture book, written by Greg Wolfe and illustrated by Howard McWilliam, dropped September 6. It should be dropped permanently, preferably from …

This is just depressing.

Fyvush Finkel Remembered

I found out that Fyvush Finkel died early this morning at his apartment in Manhattan at the age of 93. I had been a fan of his since I had seen him on Picket Fences when I was a kid. The more I learned about him, the more I became a fan of his. On Picket Fences, in this show set in a small Wisconsin community…there is a larger than life Jewish character. I can’t say that he was acting per se…as all of Fyvush’s performances were him. He brought his presence to everything I saw him in.

There is very little I can say about him that hasn’t been said already. Even as recently as last month, he was making the news with his declaration of support for Hillary Clinton. And every few months, since the picture below as taken, I would try to attend the Yiddish Artists and Friends Actors Club events, where he would act as the Master of Ceremonies.

He was active till the end and always full of enthusiasm, which is why, despite his age, I am surprised at the news.

The best we can do at a time like this is remember, so below is a excerpt I found of one of the YAFAC events I attended, telling one of his classic jokes.

Attended an event this evening and got to meet Fyvush Finkel. I've been a fan of his for years.
Attended an event this evening and got to meet Fyvush Finkel. I’ve been a fan of his for years.

Lessons Learned from IndiewebCamp and WordCamp

For a little over two years, I have been involved in Indiewebcamp. This past weekend, for the first time in five years, I was able to attend WordCamp.

WordCamp NYC was a massive undertaking, to which I must give credit to the organizers. WordCamp was moved to coincide with OpenCamps week at the United Nations, which added security headaches to the fold as well. There were 500 attendees just for WordCamp alone. I have to congratulate them for their hard work.

By comparison, an Indiewebcamp is a smaller, more intimate affair that is happy to get 20 people. In a discussion with Shane Becker, who is organizing Indiewebcamp LA in November, he has a personal goal of getting a hundred people there. But more people makes for a very different conference than 20.

For me, the scale of WCNYC created problems. Contributor’s Day, the smaller pre-event for people interested in contributing to WordPress, found me in a room full of people interested in being involved in Core not interacting, sharing ideas, or picking each other’s brains…but mostly working independently. There were isolated pockets of people helping each other, but I felt that should have been what was encouraged. The equivalent at an IndiewebCamp is the Hack Day, where people announce at the beginning what they are thinking of working on, which encourages people who have similar interests to interact as they build something. And at the end, you present to all a demo of what you created.

For the panels at WordCamp, I found the speakers very engaged, but two tracks, one for users and one for developers led to a wide range in each room. WordCamp Orange County, the previous weekend, had four tracks. WordCamp Boston, next week, has three. On the first day, Designers, Developers, and Intro to WP/WP in Higher Education. The second day has Users/Writers, Business/Entrepreneurs, and a Contributor’s Day track.  That seems like an organization that appeals to me a bit more.

The appeal to me of IndiewebCamp sessions is that they are more interactive. You get to discuss an idea in more detail. I look forward to seeing how that might scale.

I enjoyed WordCamp, and it had a lot to offer. I suppose I am just looking for more opportunities to share interests inside the conference activities, instead of outside them.

1776

In rewatching 1776, which I do around Independence Day every year, I am reminded of the writer, Peter Stone’s great bit for Lewis Morris, the delegate from New York…who spends the entire play remarking, “New York abstains…courteously.”

Finally, it is the character of John Hancock who finally loses his temper and asks him about it. Portrayed by Howard Caine in the movie, Morris admits that the New York Legislature has never given him specific instructions on anything. “Have you ever been present at a meeting of the New York legislature? They speak very fast and very loud and nobody listens to anybody else with the result that nothing ever gets done.

Nothing much has changed in New York politics since 1776…or at least when Stone wrote the play in the late 60s. Stone also wrote the screenplay for The Taking of Pelham One Two Three(the original, not the horrible John Travolta remake), which also pokes a lot of fun at New York, as well as the 1997 musical(not to be confused with the movie) Titanic.

I actually repurchased 1776 this year on Blu-Ray. The new version includes an all-new commentary, an extended version, and some deleted scenes. I found this lengthy explanation of the various cuts over the years in the Amazon commentary. To summarize:

  • The movie premiered in 1972, approximately forty minutes shorter than the director’s original cut.
  • “Cool Cool Considerate Men” was cut after a negative reaction from the White House regarding the scene’s anti-conservative tone, studio executives agreed to remove eight solid minutes. So great was the pressure that the original negative and all known parts of the scene were destroyed. A search began for any version of the missing footage.
  • The restored film on the laserdisc was presented in the widescreen format and remixed for true stereo sound using the original multi-track units (in some cases as many as twenty-four tracks). It contained a total of 40 minutes of footage not seen since the two premiere screenings in 1972. Other highlights of the Laser Disc version were the full opening credits, newly incorporated character closeups and additional music for several songs. The running time was once again 180 minutes. The 1992 Pioneer Laser Disc Special Edition of 1776 was one of the most ambitious video restorations ever performed.
  • For the 2002 DVD release, the replaced footage was been repaired, giving the DVD a much cleaner look visually than the laserdisc, but the film was been shortened to 166 minutes.
  • Finally, in 2015, the director’s cut of 1776 has made its way to Blu Ray and it includes a “branching version of the movie” with both an extended and the director’s cut, which incorporate many of these missing moments mentioned from the Laser Disc,scrubbed up and restored to as pristine a quality as possible.
  • The Extended cut has everything that was on the Laser Disc except: Overture and Entr’acte created for the LD; Scene of Jefferson (sitting on a window sill in Congress) watching some children playing (rather patriotically) as a young girl looks back up at him and smiles; An extended scene (just after the conclusion of Yours, Yours, Yours): Instead of the blackout (that now occurs between scenes) there was one continuous scene showing the breaking dawn as Franklin arrives, after taking a piece of fruit in the marketplace, and finds Adams asleep on the stairs below Jefferson’s room while a lamplighter blows out a nearby streetlight; The underscoring to John and Abigail’s final scene [leading into “Compliments”] — though the underscoring to Franklin’s entrance has been restored.

On a related note, anyone want the DVD copy? I can give you a good price? And I just noticed the 42nd anniversary edition of Taking of Pelham 123 is out…with interviews with surviving production individuals, and the single surviving lead actor….think I should click? The one saving grace of Blu-Rays lately vs streaming are the extras they bring to the table, especially for classics. They keep rereleasing things with more material and trying to get me to buy it. They may succeed in this case.